Styles mixture
Craig Hutchinson has adopted an approach to Contemporary designeven Minimalistcreating these spectacular volumes in dialogue with subtly reintroduced victory elements. Drapeated doors as secret passages remember the service halls of the Victorian houseswhile the minimal decoration of the walls is balanced with victory references evoked by painted lines – or talked in the main bathroom – and moldings and railings painted. The soft curves add a more contemporary character, such as vaulted ceilings, the arches, a circular shower room for children and a Claraboya whose function in this three -storey house is to spread natural light, as well as the soils that open to double height spaces. The ladderrelocated to a side of the house, releases a landing that serves as a transition between the rooms, a quiet space furnished with a custom marble table made and a carpet Shag.
A great sense of calm and serenity prevails, inspired by the work of Vincent Van Duysen and his attention to the materials and details, a claimed inspiration and an assumed tribute. The soils of the ground floor are of local natural oak, while those of the upper floors are original victorious ribbons restored and treated with a whitish natural oil. Between a soft minimalism and strong pieces of custom furniture, such as the spectacular chimney library of the room, the Hutch design imposes its Modern-Classic styleachieving a balance between Scandinavian contemporaneity and the traditional past.
Textures and light
While rose antico, target and viola marbles and natural stone are used in custom creations to create a more lanter -bran, furniture and decorative pieces gather emblematic pieces of the design of the twentieth and twenty -first centuries: among them, a table a table Paris by Vogel Studio, a seat Loop From the 50s of Willy Guhl, the chair Wiggle by Frank Gehry, Pierre Jeanneret chairs, an armchair ROLY-POLY From Faye Togood, the chair Steltman of Gerrit Rietveld and a table Note of blackened oak of Edward Collinson. They complement each other with works by ceramist Derek Wilson, the Paper Chair by David Horan and murals of Irish artist Louis Le Brocquy. A daring selection of art, sculptures and furniture of local and international artisans. «We adopt a coherent aesthetic throughout the house, with reassuring neutral tones and a palette of simple and textured materials for furniture, objects and works of art.» The result is a warm transformation with a timeless and discreet luxury and a serene and luminous family home that reflects the holistic approach of Hutch Design with respect to the architecture, interiors, furniture and art.