This applies Kandinsky's color theory in architecture

For example, Let's think of Casa CovaAnonymous's work that is located in Oaxaca, in the middle of the beach. This house made of concrete and that coexists with the beach It has a special colorful magic, since the sun hits its outer walls leaving yellow and orange tones, as the day passes. Then a kind of calm feels allowing the complete atmosphere to transform.

But sometimes colors also form unique figures that, translated into Kandinsky's languagethey make up mature and growing symphonies, such as an orchestra that reaches the climax of a song .. It is when the toughest and most strong tones are presented between waves or lines that result in abstract buildings with sentimental and clear, structural force. That is, the more intense (either in color or shapes) are the elements of a piece, the more impact they generate as Sunac Guangzhou Grand Theater designed by British Steven Chilton Architects.

The truth is that external forms is not enough and the interior does not denote a feeling of warmth, coldness or its intermediates, as Kandinsky dictated it, Interior design will always be essential. It depends a lot on the objective of the spaces, but it is necessary that there be harmony and congruence because, let's give an example a hotel. If this is blue, gray or black, with flat shapes, possibly emits negative sensations; On the other hand, a pink, red or orange with forms and even exaggerated decorative styles, will give a feeling of comfort. Altus ornamentum is a fun space and with contrasts of lines and tones that Moniomi installed in Casacor Miami demonstrating that the spaces embrace the feelings.

Kandinsky created his color theory to improve his pieces without knowing that now it is a architectural and design referencenot only of pictorial art. Kandinsky taught us that color transmits emotions, feelings And this, in turn, confirms monumental pieces, no matter what discipline we refer to.