The colors to concentrate They exist and you should know what they are. Working in a style environment is much more pleasant than doing it in a gray and monotonous office. Therefore, more and more companies take a little from their home to the office, and more and more employees take the office home. «As part of a house or an apartment, the work room must be as cozy as the rest of the rooms,» recommends architect Stefan Flachsbart. But how to concentrate to work from home and what role does the appropriate color of the walls play? In addition to the obvious equipment, such as appropriate desktop, chair and light, wall color decisively influences concentration and well -being. No one knows better than interior architects and designers which wall colors are surprisingly suitable for the home office. That is why we have asked seven of them what are the colors to concentrate That they like to use in their projects and that you should have in your style radar. With these tips on colors, your office will quickly become the climax of your home!
Nº 80 Green Salvia de Little Greene
«A study must have a quiet but cozy atmosphere. We have to feel comfortable in it and want to spend time there. For this reason, I usually choose a subtle green tone that is not too strong. I especially like the green sage No. 80 of Little Greene.» Sebastian Zenker says, by Sebastian Zenker Interior Design.
Nº 31 Farrow & Ball Railings.
«I never use white, since it seems too cold and sober and does not usually differentiate from
typical office of office room. The study, as part of a house or department, should be as cozy and atmospheric as the rest of the rooms. As we like to work with colors – and I do not mean primary colors – it is natural for us to give the study a special and expressive tone. In our last project, we opted for a blue dark night for the walls of the study. It is Railings no 31 Farrow & Ball, which they themselves describe as a 'soft black'. We painted the roof of the room in the color of high brightness white cornforth No. 228 to soften the strong contrast and give more height to the room. «
—Stefan Flachsbarth, BFS-Design.
Fowler Pink de Farrow & Ball
«Basically, it is important to choose a color that Do not distract you and create a good atmosphere In summer and winter. In my office, for example, I used Fowler Pink of Farrow & Ball and enjoyed him every day. If you want to be a little more ascetic and want to create strength through art or textiles, a more neutral color like the Joanna de Little Greene is a good alternative. In the end, of course, the room itself, the architecture of space and your own taste plays the most important role. «
«Nora Witzigmann, Norawitzigmann Interieur.»
6025 RAL HERKEY GREEN
«I think we can use colors with some depth to paint the office. I would consider something like RAL 6025 or 5008. These colors seem intimate, modern and create a unique atmosphere in which you like to be.»
—Dawid Konieczny, Dawid Konieczny Interior.
Flamant 270 from Atlas
«If you have to work at home, you should not remind you of the typical office atmosphere. That's why I recommend the color Flaman 270 of Atlas.»
«Patrick Batek, Batek Architekten.»
Farrow & Ball Setting Plaster
«In the Fabian Freytag studio, we painted several wall panels with Farrow Paster Setting
& Ball and hung works of art in them. The Tomoyuki uen cadres with photographs of sky and water in combination with green and black marble fit perfectly. A color tone that forms a quiet base for concentrated work and also causes dark rooms to seem luminous. «
«Fabian Freytag, Fabian Freytag Studio.»
1505-Y30R of NCS Color
«The color that is used in each room depends on the size of the room, on the amount of light that has and the orientation of the room. Each person is different, and what I like may not like another. The most important thing is to remember that all colors are relative to the colors with which they compare, this is how the color works. A good base for many other colors is 1505-Y30r of NCS color.»
—Sanna Wåhlin, note (design study).
Article originally published in AD Germany.